Safety Training for Entertainers

Safe On Stage

Stage Hypnosis Safety Standards

The industry standard for stage hypnosis safety. Developed in 2008 by Justin James and leading professionals from across the field.

Safe On Stage™ has been continuously published online since 2008. Copyright 2009 Justin James / The Hypnosis Company.

Safe On Stage Program
Mental Safety
Physical Safety
Moral Guidelines
Performance Safety
Legal Framework
Pre-Show Protocol
The Program

The Professional Standard for Stage Hypnosis

Safe On Stage is the first and most comprehensive safety training program ever developed specifically for stage hypnotists. Built in 2008 by Justin James, with contributions from six of the nation's leading hypnosis professionals, it establishes the framework of standards and practices that defines professional performance in this field.

The Safe On Stage program, originally developed in 2008, has been translated from the program documentation to this website, so that the content that trained a generation of professional stage hypnotists is accessible to everyone. Still free. Still the standard.

Six sections. Every dimension of professional stage hypnosis safety. The mental, the physical, the ethical, the legal, the operational. This is the full program.

What It Covers

Six Sections. The Complete Program.

Mental Safety

The mind is the medium. This section covers the psychology of the hypnotic state, how to structure suggestions that protect volunteers, how to recognize and respond to unexpected emotional reactions, phobia awareness, age regression protocols, inadvertent triggering, and the language patterns that separate a trained professional from someone who learned this over a weekend. The most common cause of incidents in stage hypnosis is poor suggestion wording. This is the discipline of getting it right.

Physical Safety

A hypnotized volunteer trusts you completely. This section covers stage assessment, chair and prop management, how to safely bring volunteers on and off stage, lighting considerations, floppers, outdoor performance conditions, alcohol and drug considerations, the physical condition of volunteers, and the cautionary warning that every professional delivers before a show begins. Most physical incidents in stage hypnosis are preventable. All of them are the performer's responsibility.

Moral Guidelines

The ethical framework of performance is not a limitation. It is what makes a professional career sustainable. This section covers adult content standards, touch consent, what is and is not appropriate in any venue, the treatment of minors, degrading themes, props, and the standards that protect volunteers, audiences, and the performer's reputation.

Performance Safety

The same safety principles that govern a full stage show apply in every other context where hypnosis is performed. This section covers rapid inductions, shock inductions, street hypnosis, and demonstrational hypnosis, the settings where less control over the environment makes proper training even more critical.

Legal Framework

Every working stage hypnotist needs to understand the legal landscape. This section covers advertising standards and restricted language, California law as a model framework for disclosure, videotaping requirements, and the release forms that protect performers and venues alike.

Pre-Show Protocol

The operational checklist that defines minimum professional practice. Every item in the Top 12 is here, expanded with full guidance. This is what a professional runs through before every single show, not because it is required, but because it is what separates a professional from someone hoping for the best.

Booking a Hypnotist?

What a Professional Looks Like

A stage hypnosis show is unlike any other entertainment you will book. A skilled hypnotist works directly with your guests, bringing volunteers on stage, guiding them through an experience that requires their complete trust, and managing a live performance with variables no script can fully anticipate. The difference between a professional and someone who is not comes down to preparation, training, and accountability.

Here is what a professional looks like before the show even starts.

They carry real insurance. Not a verbal assurance. A certificate of liability insurance from a recognized carrier. A professional performer documents their coverage and produces it without hesitation when asked.

They know your stage before your guests arrive. A professional walks the performance space prior to the show, taking note of the layout, the lighting, any potential hazards for volunteers, and how to get people safely on and off the stage. They come prepared.

They set expectations with the audience. Before calling for volunteers, a professional addresses the room, explaining what the show involves, what participation looks like, and ensuring that everyone who comes on stage does so by informed choice. This is standard practice, not a formality.

They document every performance. Professional hypnotists record their shows. It protects them. It protects you. It creates a clear record that the performance was conducted properly and that every standard was met.

They have experience at scale. Experience in stage hypnosis is not measured in years of study. It is measured in shows performed. A professional with hundreds of performances behind them has managed the unexpected, refined their technique, and developed the judgment that only comes from doing this work consistently and at volume.

Safe On Stage was built so that event planners and consumers have a standard to point to. Any professional hypnotist should clear these bars without effort. If the person you are evaluating cannot, keep looking.

Before Every Show

The Top 12

The following twelve-point checklist is the operational standard recommended by Safe On Stage for every stage hypnosis performance. These are not suggestions. They are the minimum professional standard.

  1. Always videotape your show.

    Include a contract stipulation that all shows are videotaped. Video documentation is your primary liability protection. A recorded show that shows proper procedure is your strongest defense in any dispute.

  2. Checklist your stage.

    Walk your stage, check for sharp edges, protrusions, uneven or unstable platforms, electrical hazards, and other obstructions. A jump, run and skid test is also advised to check for sections of stage (especially important on portable stages) that might not be properly secured.

  3. Remove any cords or obstructions if possible.

    Use Gaffer's tape to secure any cords to minimize hazard, if at all possible.

  4. Tape exposed cords and stage section gaps, if any.

    Use duct or gaffing tape on exposed cords and stage section gaps.

  5. Word your volunteer call carefully.

    When calling for volunteers, word your suggestions to avoid anyone currently under medical, psychological or psychiatric supervision. This includes pregnant women and infirm individuals, individuals who are actively under the care of a psychiatrist or psychologist, or those with a history of hysterical or seizure disorders. This precaution is for their own safety on stage.

  6. Make volunteers aware of stage hazards before they sit.

    Call out footlights, electrical outlets, speakers, and any other floor-level obstruction before the induction begins. Volunteers who know the hazards are volunteers who avoid them.

  7. Instruct volunteers to use the stairs at all times and to stay on stage unless directly suggested otherwise.

    This keeps volunteers from dangerously approaching the edge of the stage or footlights, or from running backstage or offstage.

  8. Use spotters if available.

    Brief spotters before the show on their role, with specific attention to floppers, volunteers who collapse instantly when re-induced. Any standing rapid induction with a known flopper requires a spotter positioned to catch.

  9. Use the seatbelt suggestion.

    Give a direct suggestion that prevents volunteers from falling out of their chairs. Also use suggestions that will ensure that if a volunteer goes into trance while standing, they will remain standing unless otherwise ordered.

  10. Make your suggestions specific to you.

    Carefully choose your wording so that the volunteer responds only to your suggestions, or those people specifically designated by you, and no one else. The inclusion of a suggestion that your suggestions always override those of anyone else present is also advisable.

  11. Word your suggestions precisely.

    Be as clear as possible in the wording of your suggestions so as to avoid any confusion as to the meaning of your suggestions.

  12. Word your induction to prevent non-responsiveness.

    A volunteer who cannot be brought out of trance is a problem that proper induction language prevents. Test your wake command at the start of the show before any deep work begins.

The full Pre-Show Protocol, with expanded guidance on each point, is covered in detail in the Pre-Show Protocol section.

Why It Exists

The Industry Had a Problem

Safety today is of paramount importance in the stage hypnosis industry. With a lack of consistent education and standards in the field, and in many cases little clinical hypnosis training or actual stage training as a performing artist, liability claims due to injury, real or perceived, rose dramatically through the late 1990s and into the 2000s. Claims came from many different areas: slip-and-fall injuries, stage abreactions, and high-risk routines performed without proper training or precaution.

As the popularity of hypnosis as a form of entertainment grew, many schools began advertising accelerated courses to DJs, magicians, jugglers, and other entertainers with no clinical background. With the emergence of YouTube and easily accessible media, people began copying professional performers and entering the market without the foundational knowledge to do so safely. A new class of stage hypnotist appeared: undertrained, underinsured, and operating in an industry with no enforced standards.

The result was predictable. Insurance claims ran into the millions annually. Stage hypnotists were responsible for more claims than all other entertainer types combined. The single insurer covering stage hypnotists at the time (an aggregate entertainment policy originally designed for clowns, comedians, and magicians) reached its limit and pulled coverage for hypnotists entirely. Performers faced a stark choice: submit to a costly paid gatekeeping program, or lose access to insurance and effectively lose the ability to work.

Justin James saw a different path. Rather than allow a pay-to-play system to become the industry standard, he went directly to the underwriters and brokers for the National Association of Mobile Entertainers and proposed something different: a free, rigorous safety program backed by the underwriters themselves. Pass the program, get the certificate, get covered. No cost to the performer. No middleman.

In 2008, Justin James, CEO of The Hypnosis Company, one of America's most active performing stage hypnotists with over 300 shows a year, and a clinical practitioner with more than 13,000 one-on-one client sessions, spent eleven months building the Safe On Stage program from the ground up. He structured the curriculum, compiled and edited hundreds of pages of contributed material, worked with the underwriters to establish coverage requirements, and brought together six of the nation's leading hypnosis professionals to contribute their expertise. The result was the first comprehensive safety training framework specifically designed for stage hypnotists, and the first-ever hypnotist-only insurance policy, fully modifiable like any standard commercial policy.

Justin James authored the program. The advisory board contributed to it.

It was adopted by NAME as a requirement for hypnotists seeking liability insurance through their program. Claims came down.

NAME has since changed ownership and the formal certification pipeline is no longer active. But the safety problems that made this program necessary have not gone away. They still occur every day. Every one of them is preventable with proper training. Safe On Stage has remained online and freely available since 2008, for performers who want to do this right, and for the public and event planners who deserve to know what responsible stage hypnosis looks like.

Built With the Best

The People Who Contributed

Safe On Stage was developed by Justin James and built with the contributions of six leading voices in the hypnosis community.

Lee Darrow

Author of the first two books dedicated solely to stage hypnosis safety: Backstage Considerations for the Stage Hypnotist (2003) and Stage Hypnosis Safety: A Primer (2005). Darrow provided the foundational outline for the Safe On Stage curriculum and contributed substantially to its content across every chapter. A stage hypnotist with over forty years of performance experience across the Western Hemisphere and Europe.

Richard K. Nongard

LMFT / CCH

Licensed Marriage and Family Therapist, Certified Clinical Hypnotherapist, and author of numerous books and training programs on stage and clinical hypnosis. Nongard contributed writing and editing throughout the program and donated his company's resources to build the original online certification test.

Katherine Zimmerman

Certified Clinical Hypnotherapist, director of the California Hypnotherapy Academy (a California state-approved vocational school), and author of nearly twenty published works on hypnosis. Zimmerman contributed the legal language and California compliance framework that forms the basis of the program's legal section.

Tom Silver

Known to millions as "TV's Favorite Hypnotist," Tom Silver was a clinical hypnotherapist, author, and one of the most widely recognized figures in the hypnosis field. His television work spanned the Discovery Channel, The Doctors, the Montel Williams Show, and Jimmy Kimmel Live, among others. Internationally recognized for his work in scientific hypnotherapy and his development of Emotion Replacement Therapy, Tom performed regularly for audiences of 40,000 or more and brought a unique perspective to the Safe On Stage program from one of the most accomplished careers in the profession. Tom Silver passed away on May 23, 2025.

Chuck Milligan

Stage hypnotist with over twenty-three years of international performance experience spanning college campuses, military bases, and venues across multiple continents. A former Force Recon Marine, Chuck contributed practical performance insight from a career built under every imaginable condition.

Sean Michael Andrews

Known as one of the world's fastest hypnotists. Contributed the street hypnosis guidelines section. Director of Maryland Family Hypnosis Centers and President of the Maryland Chapter of the National Guild of Hypnotists.

Safe On Stage™ is a trademark of The Hypnosis Company. The Safe On Stage program and all associated content have been continuously published online since 2008. Copyright 2009 Justin James, The Hypnosis Company, Safe On Stage. All rights reserved. Reproduction, distribution, or use of this material for any paid course is expressly prohibited.